REVIEW PAPER
Identity and self-esteem in the context of music and music therapy: a review
 
More details
Hide details
1
Institute of Psychology, University of Gdansk, Gdansk, Poland
 
2
GAMUT, Uni Health Research, Bergen, Norway
 
 
Submission date: 2016-10-30
 
 
Final revision date: 2016-11-24
 
 
Acceptance date: 2016-11-24
 
 
Online publication date: 2017-01-04
 
 
Publication date: 2016-12-30
 
 
Health Psychology Report 2017;5(2):85-99
 
KEYWORDS
TOPICS
ABSTRACT
Participation in music therapy offers opportunities for the participants to engage in identity work – to define, develop, or reflect on their understanding of themselves, and to cultivate new expressions of self-identity. The music therapy involves breaking away from the reality and engaging in intense interactions, which in turn facilitate relationships between participants. Patients tend to be more open to new kinds of experiences and explore new ways of perceiving themselves and others. Their self-understanding develops and leads to self-acceptance and personal growth. Although questions concerning the relationship between music therapy and human identity have been asked since antiquity, many issues have still not been resolved. As of today, there are no publications that systematically review the current state of knowledge.
This article aims to review the available empirical evidence in order to identify the relationship between music therapy processes, identity, and specific individual identity variables, such as self-esteem. Also, it attempts to discover how self-regulatory behavior relates to both general music instruction and interventions designed to enhance self-esteem and identity.
We searched PubMed and PsycInfo up to 13.09.2016. Screening, eligibility, and data extraction were done by one reviewer. Out of 31 relevant records, 20 were assessed for eligibility, and 14 were included. There was marked variation across included studies regarding type of MT approach used, type of participants, settings, outcomes and measurement tools. A qualitative analysis showed that expression of emotion and a sense of agency (which is considered valuable for both the client and those around them) is a way to provide one’s damaged Self with healthful aspects of personality, thus improving one’s self-esteem.
This review provides insight into the effects of music therapy processes, specifically self-knowledge (music identity) and self-esteem determined by the psychological processes entailed in some kinds of music activities.
REFERENCES (45)
1.
Aldridge, D., Schmid, W., Kaeder, M., Schmidt, C., & Ostermann, T. (2005). Functionality or aesthetics? A pilot study of music therapy in the treatment of multiple sclerosis patients. Complementary Therapies in Medicine, 13, 25–33.
 
2.
Aldridge, D. (1996). Music therapy research and practice in medicine: From out of the silence. London: Jessica Kingsley.
 
3.
Amir, D. (2012). “My music is me”: Musical presentation as a way of forming and sharing identity in music therapy group. Nordic Journal of Music Therapy, 21, 176–193.
 
4.
Boldt, M. M. (1996). The effects of music therapy on motivation, psychological well-being, physical comfort and exercise endurance of bone marrow transplant patients. Journal of Music Therapy, 33, 164−188.
 
5.
Bruhn, H. (2002). Musical development of elderly people. Psychomusicology, 18, 59–75.
 
6.
Cattell, R., & Anderson, J. (1953). The I.P.A.T. Music Preference Test of Personality. Champaign, IL: Institute for Personality and Ability Testing.
 
7.
Chen, X. J., Hannibal, N., & Gold, Ch. (2016). Randomized trial of group music therapy with Chinese prisoners: Impact on anxiety, depression, and self-esteem. International Journal of Offender Therapy and Comparative Criminology, 60, 1064–1081. doi: 10.1177/0306624X15572795.
 
8.
Clendenon-Wallen, J. (1991). The use of music therapy to influence the self-confidence and self-esteem of adolescents who are sexually abused. Music Therapy Perspectives, 9, 73–81. doi: 10.1093/mtp/9.1.73.
 
9.
Cook, N. (2000). Music: A very short introduction. Oxford: Oxford University Press.
 
10.
Daykin, N., McClean, S., & Bunt, L. (2007). Creativity, identity and healing: Participants’ accounts of music therapy in cancer care. Health: An Interdisciplinary Journal for the Social Study of Health, Illness and Medicine, 11, 349–370.
 
11.
DeNora, T. (1999). Music as technology of Self. Poetics, 27, 31–56.
 
12.
Fubini, E. (1991). History of music aesthetics. Palgrave Macmillan.
 
13.
Galińska, E. (2005). Muzykoterapia [Music therapy]. In L. Grzesiuk (ed.), Psychoterapia. Teoria. Podręcznik Akademicki. Tom 1 (Psychotherapy. Theory. Vol. 1) (pp. 531–542). Warszawa: Wydawnictwo Psychologii i Kultury Eneteia.
 
14.
Gleadhill, L., & Ferris, K. (2010). A theoretical music therapy framework for working with people with dissociative identity disorder. Australian Journal of Music Therapy, 21, 42–55.
 
15.
Greenberg, M. (1970). Musical achievement and self-concept. Journal of Research in Music Education, 18, 57–64.
 
16.
Grocke, D., Bloch, S., Castle, D., Thompson, G., Newton, R., Stewart, S., & Gold, C. (2014). Group music therapy for severe mental illness: A randomized embedded-experimental mixed methods study. Acta Psychiatrica Scandinavica, 130, 144–153. doi: 10.1111/acps.12224.
 
17.
Haines, J. H. (1989). The effects of music therapy on the self-esteem of emotionally-disturbed adolescents. Music Therapy, 8, 78–91.
 
18.
Hanser, S. B., & Thompson, L. W. (1994). Effects of music therapy strategy on depressed older adults. Journal of Gerontoloqy, 49, 265–269.
 
19.
Hargreaves, D. J. (1986). The developmental psychology of music. Cambridge: Cambridge University Press.
 
20.
Hargreaves, D. J., & North, A. C. (1999). The functions of music in everyday life: Redefining the social in music psychology. Psychology of Music, 27, 71–83. doi: 10.1177/0305735699271007.
 
21.
Hargreaves, D. J., Miell, D., & MacDonald, R. A. R. (2002). What are musical identities, and why are they important? In R. A. R. MacDonald, D. Hargreaves, & D. Miell (eds.), Musical identities (pp. 1–20). New York: Oxford University Press.
 
22.
Henderson, S. (1983). Effects of a music therapy program upon awareness of mood in music, group cohesion, and self-esteem among hospitalized adolescent patients. Music Therapy, 20, 14–20.
 
23.
Hermans, H. J. M. (1999). The polyphony of the mind: A multivoiced and dialogical self. In J. Rowan & M. Cooper (eds.), The plural self. Multiplicity in everyday life (pp. 107–131). London: Sage Publications.
 
24.
Kamioka, H., Tsutani, K., Yamada, M., Park, H., Okuizumi, H., Tsuruoka, K., Honda, T., Okada, S., Park, S. J., Kitayuguchi, J., Abe, T., Handa, S., Oshio, T., & Mutoh, Y. (2014). Effectiveness of music therapy: A summary of systematic reviews based on randomized controlled trials of music interventions. Patient Preference and Adherence, 8, 727–754. doi: 10.2147/PPA.S61340.
 
25.
Kantor-Martynuska, J. (2015). Emotional responses to music and their musical, individual, and situational factors: An integrative approach. Psychological Studies, 53, 30–45. doi: 10.2478/V10167-010-0118-7.
 
26.
Kopacz, M. (2005). Personality and music preferences: The influence of personality traits on preferences regarding musical elements. Journal of Music Therapy, 3, 216–239.
 
27.
Kuhl, J. (2000). A Functional-design approach to motivation and self-regulation: The dynamics of personality systems interactions. In M. Boekaerts, P. R. Pintrich, & M. Zidner (eds.), Handbook of self-regulation (pp. 105–134). San Diego: Academic Press.
 
28.
Larson, R. (1995). Secrets in the bedroom: Adolescents’ private use of media. Journal of Youth and Adolescence, 24, 535–550. doi: 10.1007/BF01537055.
 
29.
Lawendowski, R. (2009). Osobowościowe uwarunkowania preferencji muzycznych w zależności od wieku [Personality determinants of music preferences in depending of age]. Kraków: Impuls.
 
30.
Lecourt, E. (1993). L’expérience musicale. Résonances psychanalytiques [The musical experience. Psychoanalytic resonances]. Paris: l’Harmattan.
 
31.
Lull, J. (1987). Listeners’ communicative properties of music. In J. Lull (ed.), Popular music and communication (pp. 140–174). London: Sage Publications.
 
32.
MacDonald, R. A. R., & Miell, D. J. (2002). Music for individuals with special needs: A catalyst for developments in identity, communication, and musical ability. In R. A. R. MacDonald, D. J. Hargreaves & D. Miell (eds.), Musical Identities (pp. 163–178). Oxford: Oxford University Press.
 
33.
Magee, W. (2002). Identity in clinic music therapy: Shifting self-constructs through tile therapeutic process. In R. A. R. MacDonald, D. J. Hargreaves, & D. Miell (eds.), Musical Identities (pp. 179–197). Oxford: Oxford University Press.
 
34.
North, A. C., & Hargreaves, D. J. (1999). Music and adolescent identity. Music Education Research, 1, 75–92.
 
35.
Oleś, P. K. (2005). Wprowadzenie do psychologii osobowości [An introduction to personality psychology]. Warszawa: Wydawnictwo Naukowe Scholar.
 
36.
Pavlicevic, M., O’Neil, N., Powell, H., Jones, O., & Sampathianaki, E. (2014). Making music, making friends: Long-term music therapy with young adults with severe learning disabilities. Journal of Intellectual Disability Research, 18, 5–19. doi: 10.1177/1744629513511354.
 
37.
Pyszczynski, T., Greenberg, J., & Solomon, S. (1999). A dual-process model of defense against conscious and unconscious death-related thoughts: An extension of terror management theory. Psychological Review, 106, 835–845.
 
38.
Rentfrow, P., & Gosling, S. (2006). Message in a Ballad: The role of music preferences in interpersonal perception. Psychological Science, 17, 236–242. doi: 10.1111/j.1467-9280.2006.01691.x.
 
39.
Roe, K. (1999). Music and identity among European youth. Soundscape, 2, 1–15.
 
40.
Rorke, M. A. (1996). Music and the wounded of World War II. Journal of Music Therapy, 33, 189–207. doi: 10.1093/jmt/33.3.189.
 
41.
Sharma, M., & Jagdev, T. (2012). Use of music therapy for enhancing self-esteem among academically stressed adolescents. Pakistan Journal of Psychological Research, 27, 53–64.
 
42.
Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013). The psychological functions of music listening. Frontiers in Psychology, 4, 511. doi: 10.3389/fpsyg.2013.00511.
 
43.
Sloboda, J. (2005). Wyzwania i możliwości psychologii muzyki [Challenges and opportunities of psychology of music]. Warszawa: Wydawnictwo Akademii Muzycznej im. Fryderyka Chopina.
 
44.
Smeijsters, H., & van den Hurk, J. (1999). Music therapy helping to work through a grief and finding a personal identity. Journal of Music Therapy, 36, 222–252.
 
45.
Wu, S. M. (2002). Effects of music therapy on anxiety, depression and self-esteem of undergraduates. Psychologia, 45, 104–114. doi: 10.2117/psysoc.2002.104.
 
Copyright: © Institute of Psychology, University of Gdansk This is an Open Access journal, all articles are distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License (https://creativecommons.org/licenses/by-nc-sa/4.0/), allowing third parties to copy and redistribute the material in any medium or format and to remix, transform, and build upon the material, provided the original work is properly cited and states its license.
eISSN:2353-5571
ISSN:2353-4184
Journals System - logo
Scroll to top